Sometimes plot and theme are confused as being basically the same thing. Other times, they’re viewed as so distinct they don’t even belong in the same discussion. So which is it? First questions first: is plot basically the same thing as theme? To some degree, the answer is yes. Or, at least, intuitive phrasing often […]
What’s the easiest way to find your story’s theme—and make it stick? Although any discussion of theme is multi-faceted, one of the best ways to approach this complex topic is through the realization that you can use theme to create character arc—and vice versa. When asked to explain what a particular story is about, some […]
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Part 21 of The Do’s and Don’ts of Storytelling According to Marvel Stories live or die on their pacing. Great characters and concepts are the heartbeat of good fiction, but even the greatest can struggle to keep readers’ attention if the pacing is off. Pacing is a lot like tone. It varies depending on the type […]
There are words I think of as “infinite words.” These are words that express more, in their essence, than we can ever quite seem to explain. They’re the words of poetry. Indeed, many are complete poems all in a single word. For me, one of those words is “theme.” Theme is one of those endlessly […]
Once upon a time, Character fell in love with Plot. Right from the start, it was a stormy relationship. There was passion, there was romance, there were epic stakes. And conflict? Puh-lenty. Sometimes they were pretty sure they couldn’t live with each other a moment longer. Sometimes they tried to give each other up altogether. […]
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Some writers might look at that title and respond incredulously: “When isn’t writing hard?” But as I’m sure all writers everywhere can attest, there are times when writing is hard in the normal sense and times when it’s hard hard. Often, the difficulty lies simply in the unwieldy story—and the need for an ever-evolving understanding and ability […]
Paragraph breaks are something akin to a writer’s turn signals. They silently—sometimes almost subliminally—tell readers what’s about to happen and how they should react. As you may remember (or not) from school, a paragraph break in technical writing is meant to indicate a new thought. (I have clear memories of being required to find and […]
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Multiple-POV story versus single-POV story? Which is the right choice for you? The answer depends on many factors, since every story is different. Knowing which approach to POV to choose isn’t difficult once you know how to choose. My just-released historical-superhero/gaslamp-fantasy novel Wayfarer was the first ever single-POV story I’ve written. For years now, I’ve consistently been minimizing the […]
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