Sometimes plot and theme are confused as being basically the same thing. Other times, they’re viewed as so distinct they don’t even belong in the same discussion. So which is it? First questions first: is plot basically the same thing as theme? To some degree, the answer is yes. Or, at least, intuitive phrasing often […]
What’s the easiest way to find your story’s theme—and make it stick? Although any discussion of theme is multi-faceted, one of the best ways to approach this complex topic is through the realization that you can use theme to create character arc—and vice versa. When asked to explain what a particular story is about, some […]
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There are words I think of as “infinite words.” These are words that express more, in their essence, than we can ever quite seem to explain. They’re the words of poetry. Indeed, many are complete poems all in a single word. For me, one of those words is “theme.” Theme is one of those endlessly […]
Once upon a time, Character fell in love with Plot. Right from the start, it was a stormy relationship. There was passion, there was romance, there were epic stakes. And conflict? Puh-lenty. Sometimes they were pretty sure they couldn’t live with each other a moment longer. Sometimes they tried to give each other up altogether. […]
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Not too many years ago, I thought an accurately portrayed scene naturally caused readers to experience the emotions that the characters would logically feel in such situations. Not true! As Angela Ackerman and Becca Puglisi explain in The Emotion Thesaurus: A Writer’s Guide to Character Expression, we must take our innate skills of observation and […]
Multiple-POV story versus single-POV story? Which is the right choice for you? The answer depends on many factors, since every story is different. Knowing which approach to POV to choose isn’t difficult once you know how to choose. My just-released historical-superhero/gaslamp-fantasy novel Wayfarer was the first ever single-POV story I’ve written. For years now, I’ve consistently been minimizing the […]
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